"Screaming at your problems
won't solve them," they tell me
outside, where frustration,
a private matter of buried feelings,
is silent.
But, on the tatami of the willow dojo,
where passage is marked with rei -
for battle, a bow -
my strikes are charged with shouts
to lend me power. Faced
with a challenge of technique,
to batter down the wall, I scream.
The mats and the outdoors
are sometimes murky in the tempest
of my mind. I stifle my confusion
and polarise the worlds.
As I suffocate
my frustration, my sense
of control is drowned.
Voiceless, my technique is lost,
I lash out.
Duck feathers poke through
the pores of the pillow I lay
my head upon at night,
a five-o'clock shadow prickling my cheeks.
I used to enjoy tugging the stubble
and watching the fluff of bird-leaf emerge,
like I'm pulling the feathers
back inside a mallard,
leaving it reverse-plucked.
Some nights, so my feelings can fly loose
and bother no-one, I take my feather pillow
and press it to my face, the cotton casing a plug
to fill my mouth and nose. A muffled expression,
soaking my screams into a sponge of duck feathers.
Aristotle dropped his cannonballs
from the Horologium; raindrops
of stone, heavy and thunder-grey. Above,
clouds drifted across a copper sky
like feathers caught in a wind-river,
wide and slow-moving, nearing the sea.
Aristotle watched his cannonballs
hurtle towards soil, and imagined Earth
without airy medium. Perhaps there,
a feather’s descent might be as swift.
With nothing to copper the sky, or breathe,
he’d suffocate under starlight in a storm
of black hail and bird coat.
Aristotle studied his cannonballs
as they fell, under a copper sky, breathing.
Hearing the huff of stone
meeting soil, he reached
for another, and hoped
I wonder if we cheat our dead
by burning them,
rid them of their right to rot
and dissolve, feed another life,
channel energy through soil.
Scattered as ash, the dead rest on grass,
mix with ocean salt, dance with summit snow.
A resting garnish,
like Parmesan scattered over steaming spaghetti,
or a blanket of dead-skin dust in a disused bedroom.
Cheese melts, but hardly mingles;
ashes disperse, but feed, or fuse?
The grains are small, hard to see, hard to say.
Even as corpses, the dead are quarantined
within wood, embalmed, secluded in their repose.
We call it respect, but maybe desecration
through isolation would be more honest
a phras
Love is dangerous
Love is mysterious
Yet its intriguous
But quite mischievous.
An egnigma wrapped in mystery
A funny feeling within me stirs
As if butterflies were fluttering
While my heart races like an engine.
Legs begin to jiggle like jello
While the mind starts to mellow
Can't keep to walk a straight line
Almost like I've drank a bottle of wine.
Why love must you torment me
Why do you play such mean tricks
Plucking my heart's strings
Like a guitar as you change the notes
To the chaotic melody you compose.
Love is a mystery
Love is enchanting
Love is abnormal
Yet quite strange.
Out of the darkness
Struck like a lightning bolt
He came without warning
Like a lion striking his prey.
He may have my purse
Took all that I had with me,
But you can't take my pride
You can't break my spirit.
Though in a state of shock and horror
I know that I'll recover
For time heals all wounds
The piper will pay the price.
I'll keep my head high
Keep looking for tomorrow
Growing stronger and being wiser
From the trauma that I've faced.
I won't let it happen
I'll be on my guard
For like the strongest steel
You won't break me.
Poetry is a mystery
How do you take form poetry?
What gives you shape?
How do you express yourself?
Poetry is a gift
Doesn't need to be wrapped
Nor placed in an envelope
For your words are rich
Richer than the treasures of the world.
Poetry is bliss
Expressing one's soul
Always in a state of Nirvana
Soothing the heart with joy.
Poetry is healing
A form of recovery
That helps us get over
Life's troubles and woes.
Poetry is limitless
For it has many forms
It's born everyday
From the writers
That give it life.
Life is a stage
We are the performers
Giving it our all
For some-success
Others-epic fail.
Mockery speaks as tomatoes fly
Covering those that failed
Yet instead of moaning
They wipe the juice off their faces.
When life gives you tomatoes
You wipe it off your face
And make a pizza out of it
It tastes delicious each time
You keep trying to perform your best.
bearer of drums: the first geiko by Lychalis, literature
Literature
bearer of drums: the first geiko
The young man saw the beauty Kikuya
in the crowd as he danced, holding a drum.
He slowed to a stop and crouched low, started a tale
with a grin on his face. He was wrapped in blue -
She was rapt as she listened to him speak of Fukugawa
and of its past, to the men who sheltered from the night.
Outside, the lanterns flickered and swayed in the night,
and for a year the young man saw Kikuya
drift in, to watch him speak to the men of Fukugawa
in a dark pleasure house. He was holding a drum
as he eyed her, a young lady with a blue
comb in her hair; she became a part in his tale.
Her face rose up as a weave in his tale,
transformed into a healer,
The moonlight shone down
on their car as they drove to the wooded pond that promised
anonymity from the world.
After a soft
Colleen, I don’t think this is a good idea,
and a
You worry too much, Selene, it’ll be fun,
they were silent.
Colleen flashed a smile, quick and fleeting
like a deer on the side of the road, before
reaching down and tugging up. Off
came her shirt, down
went her jeans and she said
Come on, what are you waiting for?
as she jumped into the pond, Artemis
taking a bath. Selene wasn’t Actaeon, but neither was she
the Orion she so desperately wanted to be.
Selene felt a worm compared to Colleen’s bod